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    From Print to Premiere: Accelerating Your Creativity

    Duration: 90 minutes ·Price: $299.00
    Contact FMC to schedule

    Course Description

    Adobe’s latest update to the Creative platform redefines their commitment to empowering creative workflows for both traditional media and the evolving demands of content creators. This includes integrating agentic AI tools to assist you in Photoshop and Firefly, as well as rebuilding Premiere’s color tool and introducing agentic editorial assistants for a new generation of creators, artists, and editors. Join us as we explore the Creative Cloud workflows, processes, and how hardware can supercharge your print and production workflows.

    Software Used

    • Adobe Premiere Pro
    • Adobe Photoshop
    • Firefly

    Technical Specifications

    Computer Hardware

    • A modern PC
    • Chromebooks are not fully compatible and not recommended

    Operating System:

    • Windows 11 and later

    Screen Resolution:

    • Minimum Screen Resolution of 1920 x 1080

    Browser:

    • Chrome
    • Edge
    • Firefox

    Processor:

    • NVIDIA (preferred)
    • Intel®
    • AM
    • processor with 64-bit support

    RAM:

    • Minimum of 16 GB RAM for HD media
    • 32 GB or more for 4K and higher

    GPU:

    • NVIDIA (preferred) Intel or AMD GPU with 8GB RAM or more on the card.
    • All Blackwell series cards
    • Ada generation RTX 4000, 4500, 5000 or 6000 series.
    • Ada compatible RTX 40 Series cards 4060 (16GB), 4070, 4080, 4090 series
    • Any Ada or Blackwell Mobile GPU with 8GB or more RAM on card

    Miscellaneous:

    • Access to specific websites and platforms that might be used for downloading tools or resources, ensuring participants can bypass any potential access restrictions (like firewalls).
    • The Creative Cloud desktop app won’t install on a volume that uses a case-sensitive file system.

    Instructors

    Gary Adcock / Writer, Producer & Visual Artist

    Few exemplify the changing technological landscape in digital cinema more than Gary Adcock. His unique understanding of on-set technologies and their relationships in post-production has allowed him to act as a guide in the evolving relationship between acquisition, editing, and delivery. Gary is one of the co-authors and tech editor for the original version of the Data Handling Procedures and Best Practices guide used by IATSE Local 600 (Cinematographers’ Guild). His knowledge and capabilities keep him in demand as both a consultant and technical writer for a wide array of manufacturers and publications.